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Tag Archives: Classic Film

Look What I Found: The Fairest One of All

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With 1937’s Snow White and the Seven Dwarfs, Walt Disney took a gamble that audiences would sit still for a feature-length animated film – he won, magnificently. What showed up on screen as a sweet, pleasant fairy tale involved massive amounts of labor, second-guessing, fine-tuning, and pruning away of excess story. All of this is detailed by Disney historian J. B. Kaufman in his 2012 book The Fairest One of All, which satisfies as both a thorough production history and a lovely, large-format tribute to this still-influential animated icon.

Snow White certainly had a huge impact on my young mind when I saw a reissue screening in the ’70s (maybe the earliest movie I remember seeing?). In that darkened theater, I swooned to Snow White’s untouched beauty, cowered in terror at the Wicked Witch, and laughed along with Dopey and the other dwarfs. Being a little kid, when it was over I wanted more. Later on, my mother indulged me with the Disney storybook record album (the one with the purple cover), which got heavy play on the family turntable. To this day, the sound of Adriana Caselotti’s trilling makes me smile. The movie pretty much turned me into an artist, an old movie buff, and a full-on Disney freak – three in one!

Since Snow is so personally dear to me, I had extremely high expectations for The Fairest One of All. Surprisingly, the book ended up outdoing those high expectations – Kaufman truly knows his Snow White history, and it’s efficiently laid out in this beautifully designed volume. After a few chapters detailing the history of the Grimm Brothers’ source tale and the various pre-Disney stage and film renditions, Kaufman comprehensively goes through the film, scene-by-scene, explaining how they came to be. As a straightforward chronological history, having it arranged in the order the story is told reveals a ton of fascinating episodes which might have been lost the other way. It may even be too detailed for all but die-hard Snow White buffs. Kaufman’s research is so incredible, however, and it’s written in an accessible style. I devoured sections discussing scenes that were significantly tweaked (such as the prince’s introduction), painstakingly re-animated (the dwarfs coming home from the mine), or eliminated entirely (scenes with the dwarfs eating soup and building a bed for Snow White; a dream sequence meant to accompany “Someday My Prince Will Come”). Every single frame in this film got analyzed to a degree that’s never been attempted before or since. If anything, this book is a tribute to Walt Disney’s high standards and attention to detail.

J. B. Kaufman recently published another, similar comprehensive history on Disney’s follow-up film, Pinocchio. You can bet it’s on my wish list. The Fairest One of All was published by the Walt Disney Family Foundation Press in 2012. It can be purchased here at Amazon.com.

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