Lulu’s Back in Town

album_lulutosirI’m going for an all-’60s month on eMusic, with Lulu’s To Sir With Love the latest acquisition. This brief (32 minutes) album was given punchy production and arrangements by, respectively, Mickie Most and future Led Zepplener John Paul Jones. Lulu has a throaty voice with the kind of carefully enunciated phrasing that seems better suited to musical theater than peppy ’60s music (witness the LP’s goofy closer, “You And I”). Despite that, she’s adorable and the album is a good showcase for her versatility. Everybody knows the beautiful title cut, of course, but there are a few other tracks worth noting, including the jumpy Neil Diamond-penned “The Boat That I Row” and “Best Of Both Worlds,” a plush ballad in the Dusty Springfield mold. Honestly, the thought of somebody else covering stuff like “Day Tripper” and “To Love Somebody” fills me with dread, but Lulu (along with those brassy arrangements) manages to make them her own. This album also contains the oft-sampled “Love Loves To Love Love” and “Take Me In Your Arms and Love Me,” a cover of a somewhat obscure Gladys Knight & The Pips tune. Merely a notch better than the typical album of 1967, perhaps, but real cute all the same — Lulu knows how to bring the groovy.

Twinkle Twinkle Little Box

Here’s a vintage ’60s commercial for General Mills’ Twinkles, the cereal with a storybook embedded in the box. Christopher actually saved an old Twinkles box from when he was a child (one instance where hoarding pays off!). I posted scans of the box’s front, side and back to flickr a few years ago. Cute stuff!

They Got Rhythm

During a break from a busy week drawing cartoons (for a client, even!), I spent a few minutes watching clips from an obscure variety show called What’s It All About, World?. The program aired on ABC in the Spring of 1969, a satirical revue with all the edges sanded clean for mass consumption. Yet another example of something that tries so hard to be “hip” that it ends up being painfully unhip. At least this performance of Sweet Charity’s “Rhythm of Life” with Dean Jones, Ricardo Montalban and a troupe of monochromatically garbed dancers is kitschy fun.

Doggies Need Haircuts, Too

Something we fished out of the trash: an Oster electric dog clipper in its original box. It was missing a few parts, but I did manage to scan these swell illustrations from the instruction booklet. Who knew small animal grooming was so complex? I love the very ’60s character of the drawing on the bottom.

oster_fr

oster_bk

It Blowed Up Real Good

I want to have something different to share today, video-wise. How about Disney animator Ward Kimball’s very un-Disney 1968 short, Escalation?

They’re Fantastic, Made ‘o Plastic

Just finished scanning and uploading a bunch of random imagery for my Ephemera, Ads Ads Ads and Cool Vintage Illustration flickr sets. A few came from a Modern Plastics magazine annual from 1966 that C. recently acquired — including this lovely ad for Plexiglas (one ’s’ thank you). These also went into the Vintage Industry flickr group. Ephemeral fun for all!

plexiglasad

Hey There, Georgy Girl

Mitzi Gaynor made a splash at the 1967 Academy Awards doing a dazzling, orange and pink-hued production number to “Georgy Girl.” Now that a YouTube user has posted it, we can all delight in its ’60s deliciousness (thanks to Lady Bunny). This number was so popular that it led Mitzi into a series of successful TV specials for the next ten years, covered in her DVD Razzle Dazzle! The Special Years.

See also — Scrubbles.net: The Lady with the Gorgeous Gams.

Binder, Maurice Binder

I’ve been checking out a lot of favorite 1960s movie title sequences lately. Today’s neat discovery: a YouTube user has strung together all of the James Bond franchise title sequences so you can see how they developed over time. The first group below includes titles from Dr. No, From Russia with Love and Goldfinger — all designed by Maurice Binder (not true, actually; see comments). Binder designed the credits on all 007 franchise films released up to his death in 1991. Even the more recent Bond titles owe a huge debt to his seductive imagery.

Whitest People You Know

Nino Tempo, April Stevens and a bevy of go-go dancers perform “Land of 1,000 Dances” in a Scopitone clip. I wish the quality was better so we could better appreciate those pastel colors.

Seasons Greetings from CBS

An elegant animated holiday message from CBS, designed by famed illustrator R.O. Blechman. This is from 1966, folks. Can you imagine today’s “grab ‘em by the eyeballs” TV network marketers doing something this simple and unassuming? Neither can I.