After toiling away for a few weeks in our converted garage studio, I finally have a new LitKids print ready – the master detective, Sherlock Holmes! Sure, the colors are somewhat offbeat (manly shade of maroon for the outline, with yellow ochre, pinkish salmon and metallic bronze), but they came out beautifully. Like all the LitKids prints, they are hand-signed and printed atop pages from a classic book (A. C. Doyle’s The Adventures of Sherlock Holmes) along with a random splash of gold paint for an extra touch of uniqueness.
This has been a busy few weeks for LitKids. In addition to completing the Holmes print, we have a selection of the prints and merchandise displayed at Olivastro here in Phoenix this month. Olivastro is a cool locally owned shop that sells delicious flavor-infused olive oils and vinegars. Phoenix peeps, check it out!
Sherlock can be purchased here. Through December 15th, use code SCROOGE to get 20% off on this and everything LitKids!
Penguin Drop Caps is a line of republished classic literature that has captured my eye lately. The cover of each brightly hued Drop Caps volume sports a large, fancy letter designed by Jessica Hische, which represents the author’s last name. Hische’s creativity with the letterforms is truly inspiring (check out those little insects on the Willa Cather volume!).
While I’m still not sure that all of these Drop Caps will be added to our home library (for now, I have Austen’s Pride and Prejudice and Cather’s My Antonia), the series as a whole is pretty encouraging proof that nicely made mass-market books are still thriving in these tablet times. Penguin’s Paul Buckley designed the spines, backs and interiors in a thoughtful way that manages to look both hip and stately. The only problem I saw is that the binding is coated with a strange, waxy texture that easily picks up sweat or dirt from readers’ fingertips. Also, Penguin decided to festoon the backs with ugly ISBN stickers which can’t be peeled off (grrr!). The Drop Caps can’t be beat for anyone who desires to have a clean, diverse reading rainbow on their shelves, but for durability issues I think Penguin’s cloth-bound classics may have a slight edge (they’re priced about the same, as well).
Penguin is currently at #16 in the process of publishing all 26 of the Drop Caps books. While P just came out this month, the rest will be released throughout the end of 2014 (Amazon has all the titles listed now, linked below). I just finished A, and am getting ready to start C. Aside from reading B and D in high school, and I about twenty years ago, these are all new to me. Suggestions, anyone?
A – Austen, Jane – Pride and Prejudice
B – Brontë, Charlotte – Jane Eyre
C – Cather, Willa – My Antonia
D – Dickens, Charles – Great Expectations
E – Eliot, George – Middlemarch
F – Flaubert, Gustave – Madame Bovary
G – Golding, William – Lord of the Flies
H – Hesse, Herman – Siddhartha
I – Ishiguro, Kazuo – An Artist of the Floating World
J – Joyce, James – A Portrait of the Artist as a Young Man
K – Kidd, Sue Monk – The Secret Life of Bees
L – Lee, Chang-rae – Native Speaker
M – Melville, Herman – Moby-Dick
N – Nesbit, Evelyn – Five Children and It
O – O’Hara, John – Butterfield 8
P – Proust, Marcel – Swann’s Way
Q – Queen, Ellery – The Greek Coffin Mystery
R – Rushdie, Salman – Haroun and the Sea of Stories
S – Steinbeck, John – Cannery Row
T – Tan, Amy – The Joy Luck Club
U – Undset, Sigrid – Kristin Lavransdatter: The Wreath
V – Voltaire – Candide, or Optimism
W – Whitman, Walt – Leaves of Grass and Other Poems
X – Xinran – Sky Burial
Y – Yeats, W. B. – When You Are Old: Early Poems and Fairy Tales
Z – Zafon, Carlos Ruiz and Lucia Graves – The Shadow of the Wind
Love at first sight? This Brain Pickings blog post celebrates 1948′s James Beard’s Fireside Cook Book, the collaboration between chef and simple foods advocate James Beard and legendary children’s book illustrators Alice and Martin Provensen. The fanciful artwork in that post prompted another episode where I had to get my own copy (and, since I hadn’t owned anything else done by the beloved Provensens, it was a no-brainer).
The book certainly wasn’t a disappointment. With just about every one of its 300 pages containing artwork of some kind, this must have been a major undertaking for the Provensens. I’m talking huge – several full-color artworks on full pages and spreads, along with a few hundred smaller drawings that cleverly use black with a single color (over 400 illustrations in all, according to the title page). Similar in spirit to Charley Harper’s work on the Betty Crocker Dinner for Two Cook Book, the Provensen’s delightful whimsy makes every page sing. I photographed just a few of the highlights for this post and dropped them in my Flickr Cool Vintage Illustration set (click on the photos for a better look).
Aside from the terrific art, Fireside benefits from the timeless recipes and advice of James Beard (1903-1985), a proponent of fresh cooking and non-processed ingredients in American cuisine. This book must have filled a huge need for people in the post-World War II era eager to return to simple, elegant dining.
Simon and Shuster has frequently kept James Beard’s Fireside Cook Book in print over the years, renaming it The Fireside Cookbook in 1982. The current edition adds a new introduction, but it appears to have the wonderful art reproduced in black and white (why??). Vintage copies are still obtainable at a decent price, however (my copy is an eighth hardback printing). Click here to purchase at Amazon.com.
Christopher and I spent a few hours this morning installing a dozen framed LitKids prints at Treehouse Bakery, a vegan business located a short walk from our home in downtown Phoenix. Forgive me for tooting my own horn, but don’t they look lovely?
I’m excited about this opportunity, since it’s the first time I’ve exhibited my own art in public since about 1995. Better yet, we’re mounting these pieces again in two months, at another local, independently run business. Locals supporting other locals – a beautiful arrangement! More photos from today have been included in the LitKids flickr set.
Over the past couple of years, the staff at All Music Guide has collaborated on All Music Loves, a series of blog posts celebrating a certain music genre or year. That inspired me to make my own hand-picked playlists devoted to personal favorite songs released within a certain year – on Spotify, of course. While the naming of the playlists with initials was cheekily swiped from AMG music critic and Spotify user Stephen Thomas Erlewine, doing a playlist cover which spotlights a design from that particular year is all mine (above, a set of watches designed by Phillippe Starck for Fossil). I’ve already completed one for 1968, which is 128 tracks strong. This latest one is only half as long – 2003!
And why did I pick 2003, of all years? I thought it was a good opportunity to catch up on a year in which I was too bogged down with work (my final year designing at the newspaper, consigned to doing the non-creative, crap jobs at twice the work volume) and blogging (Scrubbles.net was once quite popular, unbelievable as it seems) to think about music. Most of what I heard back then was old stuff – discovering bossa nova, MPB, French and Sunshine Pop, and all sorts of vintage junk on mix CDs from friends. The new stuff didn’t attract me all that much (I believe I bought all of three albums by current artists that year). If anything, this project served as a catching-up on what was going on back then.
The music in MRH03 probably isn’t the hippest stuff around (I’ve even heard a few tracks playing at Wal-Mart), but it does have a good selection of melodic, somewhat underrated pop. Three tracks each come from two of my favorite albums of that year, Belle and Sebastian’s Dear Catastrophe Waitress and the Eels’ Shootenanny! (both albums also use the same font on their covers – the wonderful Clarendon). Putting together this playlist netted a lot of surprising finds. The popular songs of that year were, by and large, awful. Only two US #1 singles wound up here (Beyoncé and Eminem). Unexpectedly, I found a lot of great stuff by super-slick, commercial acts from the UK such as Girls Aloud and Dannii Minogue, along with Indie Twee Pop groups like The Shins, Club 8 and Camera Obscura. Some tunes were gathered by reading through old Rolling Stone magazine issues, Wikipedia, and year-end lists from places like Pitchfork; some were discovered by chance. The beauty of these Spotify playlists is that more songs can be added to them as they’re discovered.