This month, some of my art got put on display in a local gallery. When Phoenix’s r. pela contemporary art sent out a call for entries for a juried group exhibition called 33 1/3! Altered Album Cover Art, I was intrigued. This is a show that explores our shared nostalgia/repulsion with vinyl records, musical expression, commerce, what-have-you… I’m in! Having accumulated a lot of otherwise worthless old LPs bought at thrift stores in the ’90s, I momentarily set aside working on LitKids prints and created the two multi-layered collages seen here. Surprisingly, both of them were accepted in the show. One, Autopsy: Living Stereo (above), even sold before the show officially opened on December 5th. How cool is that?
Living Stereo goes into the visual language of ’50s-’60s “Ping Pong Stereo” albums by layering a succession of covers with concentric circles cut out of the centers. Bits of type, human figures and blocks of vivid color peek out of the edges. Although I would have loved to have taken 100 LPs and make it one long, concave, cone-shaped abyss of cardboard edges, the final 14-layer assemblage came out lively and interesting. This piece used albums by Leo Addeo, the Three Suns, David Rose, Buddy Morrow and other forgotten names from the “and His Orchestra” era. In the gallery, the piece got a great presentation atop an easel with a vintage record player and albums strewn underneath.
The second Autopsy piece (below) was based on French chanteuse-turned-accused-murderer Claudine Longet. I love the simplicity and chutzpah of her 1967 debut LP on A&M Records, with just her first name set in Peignot type (a.k.a. the Mary Tyler Moore Show font). For Autopsy: Claudine, I cut around the silhouette of Claudine’s portrait on the LP and layered it with similar ’60s Easy Listening LPs cut with holes that contoured with the shape above. With the albums near the bottom of the stack getting darker, it’s intended to be a poignant, cautionary piece on fame and the predatory music industry (hopefully apparent even for those who don’t know Claudine’s sordid post-musical-career fate). In addition to Claudine, this sculpture uses covers from Sergio Mendes & Brasil ’66, Burt Bacharach, Lana Cantrell, 101 Strings and a few other “Now Sound of Today” artifacts.
The show runs through December 31st, 2014. I will be on hand at r. pela contemporary art for a few hours on the night of December 19th to try and convince someone to make a wise investment in the Claudine piece.