Category Archives: Paper

A ’70s Disney Fan’s Scrapbook

Photo Jan 10, 9 51 37 AM
I was delighted to receive an unusual gift over the holidays – a perfectly preserved scrapbook kept by a Disney fan in the 1970s. Christopher got this in an online auction, explaining that he originally intended to take some of the rarer paper ephemera out of the book and ditch the rest. We both ended up thankful that it was kept intact.

From what I can tell, this scrapbook was kept by a young kid, probably about my age (b. 1968), who likely lived on the East coast of the U.S. The earliest dated item is a small Disneyland pamphlet guide from 1975, while the last items are news stories promoting Disney’s first PG-rated feature, The Black Hole, from December 1979. This kid saved everything – souvenirs from Disneyland and Walt Disney World, toy packaging, wrapping paper, mail-in items promoting Disney collectibles, TV Guide ads for Disney movie broadcasts, even an example of the little blue Mickey Mouse price tag familiar to many a Disney park visitor of the time.

Apparently the most loved Disney thing to this particular fan was Snow White and the Seven Dwarfs Live On Stage, a limited engagement musical which premiered at Radio City Music Hall on October 18, 1979. Strangely, the scrapbook has nothing at all related to The Rescuers and Pete’s Dragon, two favorites of mine from that era (1977).

They saved the groovy outside packaging on this SCRAP BOOK.

They saved the groovy outside packaging on this SCRAP BOOK.

Helpful into on '70s Walt Disney World.

Helpful info on ’70s Walt Disney World.

River Country closed? Waaah.

River Country closed? Waaah.

The magical little blue price tag.

The magical little blue price tag.

WDW shopping bag, newspaper ad for Sleeping Beauty re-release, cut up LP cover.

WDW shopping bag, newspaper ad for Sleeping Beauty re-release, cut up LP cover.

The Winnie the Pooh Sunday comic strip never ran in MY paper.

The Winnie the Pooh Sunday comic strip never ran in MY paper.

Brochures from Disneyland and Anaheim hotels.

Brochures from Disneyland and Anaheim hotels.

Snow White lives again, according to the NY papers.

Snow White lives again, according to the NY papers.

Wrapping paper for every mood.

Wrapping paper for every mood.

Dumbo Pop varieties and hard candy wrappers.

Dumbo Pop varieties and hard candy wrappers.

Does Richard Schickel still think it "simply blows one away!"?

Does Richard Schickel still think it “simply blows one away!”?

Frank Redlinger’s Jazz-Age West

Frank Redlinger - Grand Canyon color block print, 1933.

Frank Redlinger – Grand Canyon color block print, 1933.

I grew up in Scottsdale, Arizona, which bills itself as “The West’s Most Western Town.” Although most of my childhood was epitomized by breezy walks to school (half a block from the house!) and being glued to the TV with a box of Cheerios, the town’s quirky fake-Western character also played a part in my development. Scottsdale was still a fairly small town back in the ’70s, with a main drag characterized by wooden-slatted souvenir shops done up like the set of Gunsmoke and a cutout figure of a lasso-toting cowboy. Back then it was just there, but that filtered, sanitized version of history still influences my work – especially the 4 Color Cowboy tumblr.

While outright kitsch definitely has a place at 4 Color Cowboy, I wanted to use it to find artists, movies, music and other projects that use that iconic Western stuff in a different, thought-provoking way. One such discovery was an artist named Frank Redlinger. After coming across his stuff while browsing through the Heritage Auctions site (fantastic place, by the way), I fell in love with his crude, beautiful landscapes, cowboys and other subjects rendered in wood-block prints. The artist maintained studios in two different places (Abilene, Texas and Los Angeles). The only pieces of his I’ve found date from about 1930-35, when he was in his forties. Simple and bold, they look to be inspired by the California Impressionists and Western movie posters from the silent era. He died in Los Angeles, a few days shy of his 66th birthday, in 1951.

Enjoy this little gallery of Frank Redlinger’s work. More can be seen at Heritage Auctions.

Frank Redlinger - Rainbow Arch block print, 1931.

Frank Redlinger – Rainbow Arch block print, 1931.

Frank Redlinger - On the Prod block print, 1934.

Frank Redlinger – On the Prod block print, 1934.

Frank Redlinger - Untitled block print, early 1930s.

Frank Redlinger – Untitled block print, early 1930s.

Frank Redlinger - Untitled Desert Caravan block print, 1932.

Frank Redlinger – Untitled Desert Caravan block print, 1932.

Frank Redlinger - personal Christmas card, 1932.

Frank Redlinger – personal Christmas card, 1932.

Frank Redlinger - Camelback Mtn. block print, 1932.

Frank Redlinger – Camelback Mtn. block print, 1932.

Frank Redlinger - Action In The Abstract block print, 1933.

Frank Redlinger – Action In The Abstract block print, 1933.

Frank Redlinger - Canyon De Chelly block print, 1931.

Frank Redlinger – Canyon De Chelly block print, 1931.

Frank Redlinger - Untitled Cowboy Being Bucked Off print, 1930s.

Frank Redlinger – Untitled Cowboy Being Bucked Off print, 1930s.

Frank Redlinger - Untitled Grand Canyon block print, early 1930s.

Frank Redlinger – Untitled Grand Canyon block print, early 1930s.

Frank Redlinger - Untitled Yucca Silhouettes block print, early 1930s.

Frank Redlinger – Untitled Yucca Silhouettes block print, early 1930s.

Look What I Found: Two from Helen Borten

Little Don Pedro (1965) and What Makes Day and Night (1961), illustrated by Helen Borten.

Little Don Pedro (1965) and What Makes Day and Night (1961), illustrated by Helen Borten.

In the annals of vintage kiddie books, the name of Helen Borten is a lesser-known yet beloved one. The Philadelphia-based artist remains well-regarded for the beautifully composed, deceptively simple visuals she made for a series of science-instructional books in the 1960s. Franklyn M. Branley’s What Makes Day and Night is a typically lovely example. While Branley’s text teaches children about the earth’s rotation around the sun in a fun, accessible way, Borten’s illustrations visualize the concepts perfectly. Working with a limited color palette of black, red, and yellow, Borten does fantastic things with composition and texture – parts of it are rendered in a primitive-modern lines, while others have a tactile, woodblock feel. It’s wonderful.

In addition to science books, Ms. Borten illustrated across a wide swath of subjects. I wasn’t aware of this, however, which made it a special delight when coming across the story of Little Don Pedro by Helen Holland Graham. This 1965 effort revolves around a timid Mexican boy who bravely faces off against an escaped bull in his tiny village. Four years on from What Makes Day and Night, we find Borten continuing the clever use of limited colors (here, green joins the solid red-yellow-black family), while the subject matter brings out a looser style. I love this stuff! In 1968, she authored and illustrated a lovely looking book on animals, The Jungle, which is on my to-get list.

As far as I can tell, Ms. Borten is still active. Although she apparently left illustration behind for a successful career change into producing radio documentaries, hopefully she has some awareness of how well-regarded her art continues to be.

Source: Fishink – Helen Borten A Creative And Illustrative Genius. (July 5, 2012)

Borten_WhatMakes04

Borten_WhatMakes07

Borten_WhatMakes09

Borten_WhatMakes06

Borten_WhatMakes05

Borten_DonPedro11

Borten_DonPedro14

Borten_DonPedro12

Borten_DonPedro17

Borten_DonPedro18

Look What I Found: The Fairest One of All

06_FairestOne_85

With 1937’s Snow White and the Seven Dwarfs, Walt Disney took a gamble that audiences would sit still for a feature-length animated film – he won, magnificently. What showed up on screen as a sweet, pleasant fairy tale involved massive amounts of labor, second-guessing, fine-tuning, and pruning away of excess story. All of this is detailed by Disney historian J. B. Kaufman in his 2012 book The Fairest One of All, which satisfies as both a thorough production history and a lovely, large-format tribute to this still-influential animated icon.

Snow White certainly had a huge impact on my young mind when I saw a reissue screening in the ’70s (maybe the earliest movie I remember seeing?). In that darkened theater, I swooned to Snow White’s untouched beauty, cowered in terror at the Wicked Witch, and laughed along with Dopey and the other dwarfs. Being a little kid, when it was over I wanted more. Later on, my mother indulged me with the Disney storybook record album (the one with the purple cover), which got heavy play on the family turntable. To this day, the sound of Adriana Caselotti’s trilling makes me smile. The movie pretty much turned me into an artist, an old movie buff, and a full-on Disney freak – three in one!

Since Snow is so personally dear to me, I had extremely high expectations for The Fairest One of All. Surprisingly, the book ended up outdoing those high expectations – Kaufman truly knows his Snow White history, and it’s efficiently laid out in this beautifully designed volume. After a few chapters detailing the history of the Grimm Brothers’ source tale and the various pre-Disney stage and film renditions, Kaufman comprehensively goes through the film, scene-by-scene, explaining how they came to be. As a straightforward chronological history, having it arranged in the order the story is told reveals a ton of fascinating episodes which might have been lost the other way. It may even be too detailed for all but die-hard Snow White buffs. Kaufman’s research is so incredible, however, and it’s written in an accessible style. I devoured sections discussing scenes that were significantly tweaked (such as the prince’s introduction), painstakingly re-animated (the dwarfs coming home from the mine), or eliminated entirely (scenes with the dwarfs eating soup and building a bed for Snow White; a dream sequence meant to accompany “Someday My Prince Will Come”). Every single frame in this film got analyzed to a degree that’s never been attempted before or since. If anything, this book is a tribute to Walt Disney’s high standards and attention to detail.

J. B. Kaufman recently published another, similar comprehensive history on Disney’s follow-up film, Pinocchio. You can bet it’s on my wish list. The Fairest One of All was published by the Walt Disney Family Foundation Press in 2012. It can be purchased here at Amazon.com.

06_FairestOne_87

06_FairestOne_89

06_FairestOne_90

06_FairestOne_88

Look What I Found: 2015 Catch-Up

Spread from Marc Davis: Walt Disney's Renaissance Man showing his 1940s bullfighting art.

Spread from Marc Davis: Walt Disney’s Renaissance Man showing his 1940s bullfighting art.

The theme of this post is “More,” as in – More books! More visual inspiration! More occupied shelf space! In my last post from a month ago, I wrote about my plans to spend each month of 2015 buying a different beautiful, visually-oriented book at a budget price. With a couple of exceptions, I’ve kept true to the plan. I’ve already shared the May book – Sing for America, illustrated by Gustaf Tenggren. The June book has also been enjoyed, and will become the subject of its own post later on. In the meantime, I’m taking this space to write a few bits about the books from January through April. Let’s begin!

In January, something that had been on my want-list for some time. Published in 1959,The Golden Book of Myths and Legends was illustrated in striking primitive-modern style by Alice and Martin Provensen. The Provensens lent their talents to many different projects over a long, long period of time. Myths and Legends comes from a particularly excellent, creative time when they applied vibrant textures and stylization to traditional subjects like The First Noel (1959) and The Iliad and the Odyssey (1956). More recently, I picked up the Provensens’ 1978 children’s book A Year at Maple Farm at a thrift store, a sweet look at the seasons changing at their farm.

The Golden Book of Myths and Legends (1959).

The Golden Book of Myths and Legends (1959).

Echo and Narcissus, from The Golden Book of Myths and Legends.

Echo and Narcissus, from The Golden Book of Myths and Legends.

Heracles: The Twelve Labors, from The Golden Book of Myths and Legends.

Heracles: The Twelve Labors, from The Golden Book of Myths and Legends.

February signaled the annual arrival of the huge VSNA Used Book Sale, held mere steps from our house. This year, I splurged a bit on a beaten-up yet nice ’50s-era copy of The Passport, an illustrated volume of doodles, cartoons and observations from the famous New Yorker artist Saul Steinberg. One of my fondest childhood memories was checking out a reprint of this book from the local library – it was literally one of the main things that influenced me in becoming an artist. Steinberg’s images of exotic locales, skyscrapers, mismatched couples and exaggerated Americana remain as delightful as ever. What a treasure!

Saul Steinberg - The Passport (1954).

Saul Steinberg – The Passport (1954).

02_ThePassport_68

02_ThePassport_73

02_ThePassport_71

02_ThePassport_72

In March, I caught wind of this stupendous auction at Van Eaton Galleries of vintage Disneyland stuff – posters, props, costumes, souvenirs. Although the items were listed at well above my price range, I ended up blind-buying the auction catalog in luxurious hardback. It turned out to be well worth the money, since the book’s colorful photography and detailed descriptions serve as a wonderful general-purpose guide to vintage Disney theme park items. Organized by land, the book is full of fantastic stuff that even my Disneyland-saturated eyes had never seen before. The top sale from this two-day auction was lot #357, a green animatronic bird from The Enchanted Tiki Room, which fetched $153,400.

03_DisneylandAuction_75

Van Eaton spread of Main Street, USA items.

Van Eaton spread of Main Street, USA items.

Chapter headers with map diagram and vintage snapshots - nifty!

Chapter headers with map diagram and vintage snapshots – nifty!

Van Eaton catalog spread of Matterhorn/Fantasyland items.

Van Eaton catalog spread of Matterhorn/Fantasyland items.

Continuing along the same lines, April‘s selection came from our long-awaited tour of the Disney Studios in Burbank, California. At the studio’s Disney Store (yeah, they have a complete Disney Store location right there on the backlot!), I picked up a lovely tribute to one of the studio’s icons – animator and imagineer Marc Davis. This gorgeous looking large-format volume is divided into ten chapters, each headed by a sincere testimony from a Davis friend or admirer on a specific aspect of his life. The topics include not only the expected animation and theme park attractions, but non-Disney things like Davis’ illustrated trips to Papua New Guinea, personal art, and instruction. Although the book omits a few projects (there’s nothing at all on the Country Bear Jamboree attraction, for instance), I appreciated the space given important areas like the never-produced 1960 film Chanticleer and Davis’ biggest supporter – his widow, Alice (a talented artist in her own right).

Marc Davis: Walt Disney’s Renaissance Man was published by Disney Editions in 2014. Buy at Amazon.com here.

04_MarcDavis_80

Marc Davis concept art from Chanticleer.

Marc Davis concept art from Chanticleer.

Marc Davis concept art for America Sings Disneyland attraction, 1970s.

Marc Davis concept art for America Sings Disneyland attraction, 1970s.

Look What I Found: Sing for America (1944)

Book_Tenggren44_06

Early this year, I resolved to buy myself a fascinating older book full of nice illustrations, a la James Beard’s Fireside Cook Book or The Fireside Book of Children’s Songs, in an effort to expand my library within an affordable price range. Five months in, I’ve broken the $15-a-pop ceiling a few times and even bought some newer (yet beautifully illustrated) books. I thought vaguely of combining every monthly book into one long, huge post at the end of the year, but my sensible spouse encouraged me to write about them one at a time. Good thinking. So, I’m now presenting the acquisition for May — Sing for America, a patriotic 1944 songs-and-history volume with artwork by the great Swedish artist Gustaf Tenggren.

Sing for America came out during a transitional period for Tenggren, when he was moving from traditional, fairy tale-inspired styles to a modern, color-saturated sensibility. This was a book meant for young people to appreciate America’s developing musical heritage, with Wheeler’s silly, fictionalized text alongside sheet music for songs like “My Old Kentucky Home.” A few of the illustrations delve into Politically Incorrect territory, but being Tenggren they are all fantastically done – with a stylized zest that conveys this Swedish immigrant’s fascination with Americana (the artist lived in the U.S. for twenty-plus years at this point, and would remain here until his death in 1970). Coming immediately after his stint as a concept artist for the Disney studios, one can see the Disney influence rubbing off on these pieces (along with the vintage Little Golden Books feel used on projects like Tenggren’s The Poky Little Puppy). In 127 pages, Tenggren contributes everything from lavish, beautifully composed full-pages in living color, to stylish, Deco-ish spot illustrations, to the whimsical endpapers with American children of various races and historical periods.

Sing for America was published by E. P. Dutton & Co. in 1944, apparently in a single edition. It’s out of print, but copies can be obtained pretty affordably at sites like AbeBooks.com.

"The Old Oaken Bucket"

“The Old Oaken Bucket”


"America the Beautiful"

“America the Beautiful”


"Jingle Bells"

“Jingle Bells”


"Sing for America" title page spread.

“Sing for America” title page spread.


"Home on the Range"

“Home on the Range”


"Sing for America" endpaper detail.

“Sing for America” endpaper detail.