Monthly Archives: April 2013

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Poster Art of the Disney Theme Parks

I have very specific memories connected with the posters at Disneyland – approaching the park, driving into the no-longer-there parking lot, striding towards the gingerbread ticket booths, the first concrete thing I’d see of our adventures ahead would be those iconic posters, affixed to the bases of the Monorail pylons and inside the tunnels leading to Main Street U.S.A. Each poster was a trip in itself – the vine-entrenched intrigue of the Jungle Cruise, the topsy-turvy whimsy of Alice in Wonderland, the hitchhiking ghosts of The Haunted Mansion, the kinetic energy of the PeopleMover’s Superspeed Tunnel – a gallery of future memories waiting to be experienced.

Poster Art of the Disney Parks, a coffee table book published by Disney and written by Danny Handke and Vanessa Hunt, comprehensively explores this angle of that pixie dust-strewn universe. As Tony Baxter’s intro explains, poster art is an integral part of the Disney theme park experience. The book’s 11″x14″ size gives ample space to the best posters, with many getting a full page to themselves (although one of my personal faves, the Columbia sailing ship, gets a mere quarter page). Divided into “lands,” the book includes nearly every poster created not just for Disneyland but for all of the Magic Kingdom theme parks (Epcot, Hollywood Studios and Animal Kingdom are absent). It’s interesting to note the different ways Disney uses to approach the same attraction in each park, with some intriguing little differences – such as the Euro Disneyland train engine sporting a pair of antlers. The book also contains separate chapters reproducing the Art Noveau influenced designs used for Tokyo DisneySea and the optimistic 1920s to ’50s era throwbacks employed on Disney California Adventure’s recent overhaul.

Two things in particular impressed me about this one. Firstly, they give credit to the unsung artists behind these posters (hooray for that). Secondly, they include lots of fascinating unused poster concept art. Before getting this, I never realized that most of the iconic poster designs from Disneyland’s early years were tied into one talented man – Bjorn Aronson. Aronson’s playful, cleanly modern, eclectic yet unified poster art probably did more to establish Disneyland’s visual identity than anything else. It’s astonishing stuff, and this book reproduces them with vivid clarity.

Poster Art of the Disney Parks can be purchased here at Amazon.com.

Side-by-side poster comparison for Disneyland and Walt Disney World.

Bjorn Aronson’s illustration skill is evident on this close-up of his fantastic Red Wagon Inn poster.

Casa de Fritos and the Lucky Nugget Saloon (Disneyland Paris) in the Frontierland section.

Not a good photo, but at least it gives you an idea of the chapter openings (using another excellent Aronson poster).

An undeveloped Adventureland poster concept is shown next to a printed one.

A demo of the silk screen color-layering process (that looks familiar).

Oh, how I wish they would have made Aronson’s Candy Palace poster design a reality!

Tomorrowland: all about the primary colors.

Circus Poles

Cyrk poster, Bohdan Bocianowsk, 1971.

This circus poster, created by Polish artist Bohdan Bocianowski in 1971, will soon be a new addition at 4 Color Cowboy. That image perfectly encapsulates the 4 Color Cowboy aesthetic – a glitzy, once-removed version of the classic American Western themes.

I actually found a ton of great Polish circus poster designs on the web – pieces striking in their bold colors, simplified imagery, and lack of text. While the Polish artwork on ’60s-’80s era film posters is justifiably celebrated, these circus design were totally new – and inspiring – to me. I love how the various artists incorporated the single work “Cyrk” and found unusual ways of depicting typical circus animals. Funky! I chose some of the bolder, critter-oriented designs to share here.

Wiktor Gorka, 1969.

Wiktor Gorka, c. 1968.

Wiktor Gorka, 1970s.